Barry
Venice Premiere of BONNIE
A clip from the documentary BONNIE just dropped — in anticipation of the premiere at LA BIENNALE DI VENEZIA. The film was co-edited by director Simon Wallon and our own Michael Vollmann.
Some of the world’s most acclaimed actors owe their careers in no small measure to a single woman: Bonnie Timmermann. Without her, Liam Neeson, Kate Winslet, Steve Buscemi, Viggo Mortensen, Brian Cox, Mark Ruffalo, Melissa Leo, Benicio del Toro and so many others might have lingered in the shadows of Hollywood, their talents never fully recognized.
Timmermann, one of the industry’s most respected casting directors, has been turning unknowns into stars for decades now. After a lifetime spent behind the scenes, she emerges as the subject of the documentary Bonnie, which makes its world premiere at the Venice Film Festival on Thursday.
“She saw something in me that maybe other people didn’t see… maybe that I didn’t even see in myself” Buscemi says in the film directed by Simon Wallon. Actor Giancarlo Esposito echoes that sentiment, saying, “Bonnie believed in me.” Cox tells Timmermann, “It was a major, major thing for me, meeting you.”
Among the films she has cast are Trading Places (1983), The Karate Kid (1984), Dirty Dancing (1987), Bull Durham (1988), Glengarry Glen Ross (1992), Carlito’s Way (1993), Dave (1993), Quiz Show (1994), Armageddon (1998), Pearl Harbor (2001), Man on Fire (2004), and many of director Michael Mann’s projects including Manhunter in the 1980s, Heat and The Insider in the 1990s, Public Enemies in the 2000s and Blackhat in the 2010s. She also cast Mann’s seminal TV series Miami Vice, changing television by forcefully advocating for diverse actors and then-unknowns like Esposito, del Toro, Ving Rhames, Jimmy Smits, Buscemi, Neeson, Bruce Willis, Julia Roberts, and Helena Bonham Carter, among others.
An eye for young talent, unexpected choices, as well as persistence with directors who make the final casting decisions, are qualities that have made Timmermann such a standout in her field.
“I just go back again and again until they want to hit me over the head with a fry pan,” Timmermann admits. “I keep going back ‘til either [the director] agrees or I give up.”
LA Times Today: What happened behind the scenes of ‘The Last Movie Stars’
LA Times Today features Barry Poltermann, film editor, today at 7 p.m.
Barry is the film editor of “The Last Movie Stars” — now a six-part docuseries from HBO Max.
In the thick of the pandemic, actor and director Ethan Hawke rallied his actor friends to a series of Zooms where they became the voices in the love story of actors Paul Newman and Joanne Woodward.
September Club featured in FORBES
As a producer, director, story supervisor and editor, primarily working in the documentary field for about three decades, Barry Paltermann is also the co-founder of the production company The September Club. Specializing in documentaries for movies, television and streaming — from feature films to digital shorts and documentary series (like The Last Movie Stars) — the library at present at The September Club houses about three dozen projects.
“The whole boom in documentary content has actually caught me by surprise,” noted Poltermann. “As it becomes more popular, there is more of a demand for storytellers. While the general public doesn’t always think of the editor as the storyteller, the editor is really like a writer. We don’t write the lines, but we are constantly editing with the paradigms of what the moments are that the audience is going to feel that momentum.”
The Last Movie Stars is now Certified Fresh on Rotten Tomatoes!
The reviews are outstanding for THE LAST MOVIE STARS. It is now one of the best reviewed documentary series in history.
The Last Movie Stars delivers the goods as a revealing retrospective of Paul Newman and Joanne Woodward’s romance, but director Ethan Hawke elevates this docuseries into a revelatory exploration of marriage and stardom.
And Metacritic has the series as a “Must See”
‘The Invisible Republic’ Trailer Drops
When war besieges the unrecognized Republic of Artsakh (Karabakh), writer and photographer Lika takes cover in a bunker — and begins to write a diary. Little does she know that her words will become not only the definitive chronicle of the brutal 44-day war, but also a universal portrait of a woman who undertakes a journey of courage, creativity, and a relentless commitment to human rights.
A film by Garin Hovannisian Featuring the diary of Lika Zakaryan.
Produced by Eric Esrailian, Serj Tankian, Alec Mouhibian, Garin Hovannisian
Edited by Michael T. Vollmann
INVISIBLE REPUBLIC was produced by Avalanche Entertainment in association with Serjical Strike Entertainment.
Cannes Premiere of ‘THE LAST MOVIE STARS’
From The Hollywood Reporter:
Early in The Last Movie Stars, a longform documentary that manages to be both meta and charming, cerebral and deeply felt, Ethan Hawke is geeking out on Zoom with some of his fellow actors. The object of their professional appreciation and endearing enthusiasm is Paul Newman and Joanne Woodward, together and individually, the subject of Hawke’s film-in-the-making. Given how long they were in the public eye as actors, directors, producers and philanthropists — their marriage lasted 50 years and their careers even longer — fans might assume they know all there is to know. But this thoughtful exploration of the couple’s artistic collaborations and offscreen relationship offers surprises at every turn and, with no prefab treatise to prove, it gets under the skin.
‘Meltdown: Three Mile Island’ Is a Methodical Look at an American Disaster
“Meltdown: Three Mile Island” is launching on Netflix to great reviews, including today’s from VARIETY:
The partial meltdown at the nuclear power plant at Three Mile Island in Pennsylvania in 1979 was a perfect coalescing of factors in two senses. First, a series of cascading mechanical and human errors brought the plant close to a catastrophe that would have potentially made much of the East Coast uninhabitable, we’re told in the new documentary “Meltdown: Three Mile Island.” Second, coming as it did both within memory of the height of Cold War paranoia and days after the release of the film “The China Syndrome,” the disaster was perfectly primed to set off anxieties about the danger of atomic energy.
“Meltdown: Three Mile Island,” a new four-part documentary on Netflix, does an elegant job of braiding those two truths — that Three Mile Island was a narrowly averted nightmare scenario and that it lives on in the public imagination as an argument against nuclear energy. It can default, especially in its early going, to tools of the trade that feel underbaked — reenactments of, say, a phone ringing in a school where children wait for news about the disaster, the camera somewhat schlockily pushing in to amp up what’s already dramatic enough. But the power of the story “Meltdown” tells, as well as the insight of those on whom director Kief Davidson trains his camera, ultimately carries the day.
The Last Movie Stars @ SXSW
SXSW previewed the first episode of “The Last Movie Stars” today at The Paramount Theater at SXSW. Richard Linklater was there to do the Q&A with Ethan.
With five additional chapters to “The Last Movie Stars” still to go, it’s unknown whether the doc will maintain the balance of documentary with acting class that Hawke presents in episode 1. No doubt the story will show how Newman and Woodward would go on to work together in 16 features, both as actors and with Newman directing. It probably will look at Newman’s both becoming a respected director and a businessman whose numerous food items litter grocery store shelves. Maybe we’ll get lucky and see a glimpse of Woodward herself, who is still with us at 92 years old. Either way, if you’re a classic film fan or just a devotee of cinema make it a point of seeing “The Last Movie Stars.”
Make|Shift wins a Clio
Today we learned that our branded feature documentary Make|Shift won a Clio for Branded Entertainment & Content within the Business-to-Business category. alongside mega-brands like NFL, Chipotle, Amazon, Google and the Simpsons. Only 11 projects in the world medaled.
WHIRLYBIRD wins IDA AWARD
The IDA announced today that:
Whirlybird, a film about the couple who pioneered helicopter news coverage in Los Angeles, has won the ABC News VideoSource Award. This Award goes to the film that best utilizes contemporary or historical factual footage shot for use in context such as newsreels, news specials, magazines or nightly news.
Whirlybird (USA / Greenwich Entertainment, A&E IndieFilms. Director: Matt Yoka. Producer: Matt Yoka, Diane Becker)
Matt Yoka Remembers Whirlybird Premiere
Talkhouse just published a great piece written by director Matt Yoka recollecting the premiere of WHIRLYBIRD. For those of us who were there, it brought back a lot of memories. From the article:
It was a new chapter in the ongoing saga of a city built on dreams and nightmares. Another mythical L.A. icon had been lost. It was a personal tragedy to all those involved and a devastating blow to the city. Zoey and Marika had covered so many stories like this over the years, it felt like a dark kismet the way it happened to fall on the same day as the Whirlybird premiere. But even if the only connection between Whirlybird and Kobe Bryant is that they share a bleak anniversary, that association has helped give me a greater perspective about the film and my understanding of Los Angeles.
“The Cleaner” Premiere
LOS ANGELES – SEP 25: Shiloh Fernandez, Erin Elders, Matt Prekop, Jeff Tomcho at the 2021 Catalina Film Fest – Saturday Gala Red Carpet, at the Avalon Casino on September 25, 2021 in Avalon, CA
Congratulations to Matt Prekop and Erin Elders… The world premiere of their film “The Cleaner” took place at the Catalina Film Festival as the festival’s closing night film at the historic Avalon Theater. King Orba was awarded Best ACTOR for the festival.
Screen Magazine calls the film “a taut and moving emotional drama.”
Here is a Chicago ABC News segment on the project.
R.I.P. Alley
Tulsa TV-6 news reports on the moving tribute given to ALLEY, the subject of our heart warming festival-favorite short film, OPERATION ALLEY.
We are currently making a feature length documentary on Anthony Marquez and his squad who served together — with Alley — in Afghanistan.
A U.S. Marine said goodbye to the dog he served with overseas.
Anthony Marquez said his dog Allie was there for all the good and bad times and embodied what it meant to be man’s best friend. On Friday community members showed Allie love and appreciation before she was euthanized today in Collinsville.
Marquez said he got Allie as a bomb dog right before deploying to Afghanistan in 2011. While there, they patrolled some of the most dangerous places in the world together, creating an unbreakable bond. Marquez says when they got back to the US, he didn’t see Allie for three years. He then adopted her in 2014. Marquez said she is just as much of a hero as a soldier. He said the grieving process will not be easy for him.
Sergeant Matt Amos, who was Marquez’s squad leader in Afghanistan, said even in the worst of times, Allie was Marquez’s bright light.
“I’m going to be sad for a while,” Marquez said. “I understand the concept they talk about, but obviously grief’s a part of life. Love and grief…what would life be without it.
“When you have an extremely bad day, where you’ve lost people, you can come back, and you know that dog is going to be there to love you unconditionally as well,” Amos said. “So there’s an extremely deep connection there.”
WHIRLYBIRD OPENS TO RAVES
“Whirlybird” opens this weekend in major markets. Some early reviews:
“Whirlybird” proves a memorably evocative time capsule of 1980s and ’90s Los Angeles and the people who made – and captured – the news, as well as a stirring portrait of regret. — Los Angeles Times
Drawing on an amazing video stockpile from the 1980s and ’90s, “Whirlybird” is an editing feat. — New York Times
Boys State Nominated for an Emmy
BOYS STATE directors/producers Jesse Moss and Amanda McBaine from this morning following their two Emmy nominations this morning for Outstanding Documentary Or Nonfiction Special and Outstanding Directing For A Documentary/Nonfiction Program.
“Our journey with Boys State has been one of continuous surprise. This latest turn of events is as thrilling as Steven Garza’s underdog campaign for governor, and we’re gratified to see the work of our incredible production team and the courage of our film subjects recognized by the Television Academy. These nominations are also, in large part, a reflection of the tremendous faith and hard work of our friends and partners at Concordia Studio and Apple TV+.”
—Jesse Moss and Amanda McBaine
Outstanding Documentary Or Nonfiction Special
Boys State • Apple TV+ • Apple / A24 / Concordia Studio / Mile End Films
Davis Guggenheim, Executive Producer
Laurene Powell Jobs, Executive Producer
Jonathan Silberberg, Executive Producer
Nicole Stott, Executive Producer
Shannon Dill, Co-Executive Producer
Amanda McBaine, Producer
Jesse Moss, Producer
Outstanding Directing For A Documentary/Nonfiction Program
Boys State • Apple TV+ • Apple / A24 / Concordia Studio / Mile End Films
Amanda McBaine, Directed by
Jesse Moss, Directed by
AMERICAN MOVIE on the Criterion Channel
American Movie will be arriving on The Criterion Channel in July. Their synopsis:
“It takes a village to make a movie, but when that village is Menomonee Falls, Wisconsin, the results are bizarre, comical, and quintessentially American. With the help of his mother, his eighty-two-year-old uncle, and a local cast of oddballs, DIY filmmaker Mark Borchardt fights his way through internal and external roadblocks to achieve his goal of making his movie—an independent horror short called COVEN—his way. His inspiration comes from films as disparate as THE TEXAS CHAINSAW MASSACRE and THE SEVENTH SEAL, as well as his experiences growing up amid the grey skies, rusty cars, and ranch houses of Milwaukee’s Northwest Side. Spanning over two years of struggle, financial decline, and spiritual crisis, this cult favorite—winner of Sundance’s Grand Jury Prize for documentary—is a hilarious, poignant, and heartfelt tale of ambition, obsession, excess, and one man’s pursuit of the American dream.
Why Did You Kill Me a Top Ten Streaming Hit
Nielsen has “Why Did You Kill Me?” at 253 million minutes streamed in our first 5 days, which put us as the #2 most viewed movie that week across all streaming platforms even though the movie wasn’t out for the full week.
From the Hollywood Reporter:
Nielsen’s streaming top 10s for April 12-18 are below. Original streaming films are marked with an asterisk.
Nielsen also only measures U.S. audiences, not those in other countries, and currently only includes Amazon, Disney+, Hulu and Netflix in its rankings.
Movies
1. Thunder Force* (Netflix), 742 million minutes
2. Why Did You Kill Me* (Netflix), 253 million
3. Synchronic (Netflix), 250 million
4. Moana (Disney+), 166 million
5. Raya and the Last Dragon* (Disney+), 164 million
6. The Little Rascals (Netflix), 153 million
7. Saving Private Ryan (Netflix), 130 million
8. Frozen (Disney+), 124 million
9. Concrete Cowboy* (Netflix), 115 million
10. The Stand-In (Netflix), 114 million
The Last Blockbuster is The Marketplace Movie of the Month
On today’s MARKETPLACE MORNING REPORT, David Brancaccio reacts to “The Last Blockbuster” and gleans some financial lessons, selecting it as his documentary pick of the month.
From the Marketplace website:
While our movie this month runs thick with people nostalgic for Blockbuster video stores (may those stores rest in peace), I am not one of those people. To me, Blockbuster signifies disappointment: It was the place where dreams of watching a certain movie went to die with the phrase “Sorry, all our copies are out.” If my culturally assigned job as daddy was to bring home the bacon in the form of the first “Toy Story,” I repeatedly failed in that during the Blockbuster heyday.
Still, I don’t have to fondly miss Blockbuster to draw key economic lessons from this movie. It includes a mergers-and-acquisition fable: When Viacom bought Blockbuster, it milked it of its cash to pay for another acquisition, leaving Blockbuster vulnerable. There’s also a key moment in the history of startup culture, told in the film as if it might be an urban legend but easily confirmed by Netflix CEO Reed Hastings in his book: He recounts that Netflix did offer to sell itself early on to Blockbuster for $50 million, an offer Blockbuster refused. Oh well.
Another economic lesson prompted by “The Last Blockbuster,” if requiring some extra digging on my part, is about the role of what are called “institutions” in economics. Institutions are the rules of the road, official or informal, that shape our economic interactions (as we learned in the textbook we read together last year).
Here’s how “institutions” of the econ kind had to change for the Blockbuster phenomenon to happen. When home video players started hitting the market in earnest in the early 1980s, movie studios freaked out. They anticipated loss of both money and control of their intellectual property. This went all the way to the U.S. Supreme Court, which in 1984 ruled (5-4) that VCRs and tapes were OK, not piracy-on-a-stick. Studios also tried to change the rules in another venue, Congress, where a law took shape to quash the taping technology. The bill wasn’t popular and it never passed. Without these rules of the road established, it’s unlikely there ever would have been a video rental era with Blockbuster front and center.
Make/Shift honored by Webby’s
Just got word that make/SHIFT was named a 2021 Webby Honoree for video/documentary. That puts us in the top 9 finalists of the year (others included Roblox, Google, National Geographic and WebMD). Congratulations to Casey Suchan, Matt Prekop, Tim Cawley, and the entire team who worked on this amazing piece of brand marketing.
Check out this Webby’s case study to learn more about Make/SHIFT and the strategy behind it.
Why Did You Kill Me Debuts at #1
In the last month we’ve had 3 of the top 10 highest rated films on Netflix — THE LAST BLOCKBUSTER, MURDER AMONG THE MORMONS, and now WHY DID YOU KILL ME?
The New #1 Movie on Netflix Is a Must-Watch True-Crime Doc Where the Victim’s Family Tries to Catfish the Killer
During our daily Netflix scroll, we couldn’t help but notice that Why Did You Kill Me? is finally getting the recognition it deserves.
The true-crime documentary just premiered earlier this week, and it recently became the number one movie on Netflix’s list of most-watched flicks. (It’s currently ranked ahead of Thunder Force, The Little Rascals, The Stand In, Saving Private Ryan, Legally Blonde and Sniper: Ghost Shooter.)
The Oxy Kingpins Premieres at Virtual SXSW
From Variety: “The Oxy Kingpins” is a documentary that feels like it could be a Martin Scorsese movie. It’s “The Wolf of Wall Street” meets “The Insider” — the story of a scurrilous illegal business, and one of the hotshot thrill junkies who rode it to riches, and how that business connects up to a much larger corporate racket.
From RogerEbert.com: Produced by media company The Young Turks and executive produced by Chris Smith and Adam McKay, it plays out like McKay’s “The Big Short” in particular, displaying the different hierarchies of drug dealers in a national catastrophe, with David vs. Goliath dynamics with a frustrating imbalance of accountability.
Edited by:
Lise Lavallee
Barry Poltermann
Jeremy Stulberg