Collapse

2009


Directed by
Chris Smith  
Produced by
Kate Noble & Chris Smith
Edited by
Barry Poltermann

 

Meet Michael Ruppert, a different kind of American. A former Los Angeles police officer turned independent reporter, he predicted the 2008 financial crisis in his self-published newsletter, From the Wilderness, at a time when most of Wall Street and Washington analysts were still in denial.

Ruppert, a former Los Angeles police officer who describes himself as an investigative reporter and radical thinker, has authored books on the events of the September 11 attacks and of energy issues. Critics in the mainstream media and in D.C. called him a conspiracy theorist and an alarmist.

Director Smith interviewed Ruppert over the course of fourteen hours in an interrogation-like setting in an abandoned warehouse basement meat locker near downtown Los Angeles. Ruppert’s interview was shot over five days throughout March and April 2009. The filmmakers distilled these interviews down to this 82 minute monologue with archival footage interspersed as illustration.

I don’t know when I’ve seen a thriller more frightening. I couldn’t tear my eyes from the screen. “Collapse” is even entertaining, in a macabre sense. I think you owe it to yourself to see it.

Roger Ebert
Chicago Sun-Times

Unnervingly persuasive much of the time, and merely riveting when it’s not, Ruppert’s talking-head analysis gets the Errol Morris treatment from director Chris Smith (American Movie), whose intellectual horror film ranks as another essential work.

Rob Nelson
Daily Variety

In several immensely poignant moments, we can also see an angry, lonely, vulnerable man whose life epitomizes the title as much as the globe does. There are many layers to the man and the movie, and I for one left the theater shaken.

Scott Tobias
The Onion AV CLUB

One of the few true buzz films of the festival” and wrote that “you may want to dispute [Ruppert], but more than that you’ll want to hear him, because what he says — right or wrong, prophecy or paranoia — takes up residence in your mind.

Owen Glieberman
Entertainment Weekly